{"id":9659,"date":"2021-03-30T12:00:28","date_gmt":"2021-03-30T12:00:28","guid":{"rendered":"https:\/\/www.antonvandergulik.nl\/?page_id=9659"},"modified":"2025-02-11T16:42:32","modified_gmt":"2025-02-11T16:42:32","slug":"praktische-informatie","status":"publish","type":"page","link":"https:\/\/www.antonvandergulik.nl\/en\/praktische-informatie\/","title":{"rendered":"Useful information"},"content":{"rendered":"
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HOW TO LOOK AT TRIBAL ART<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The visual arts of Africa, Southeast Asia and Oceania can be judged fairly easily because of its often powerful appearance and the skill with which it is made. The message contained in the use of material, form and style leads to an aesthetic whole that is characteristic of the peoples in the mentioned areas and as such reveals \/ reveals the importance of these art objects. To gain a better understanding of what these areas have produced in fascinating art, it is wise to take the following into account.<\/span><\/p>\n

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Innovation and experience<\/em><\/p>\n

The artists work with different materials and constantly incorporate new subjects and motifs in their expressions. Some of them work within visual forms of expression that are repeated over and over but still leave room for innovation and creativity.<\/span><\/p>\n

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Relationships<\/em><\/p>\n

Within most tribal art, the proportions are based on their conceptual meaning rather than physical size. For example, the head of a human sculpture is often depicted the size of a quarter of the whole because in many communities the head is considered the seat of a person's destiny. This also allows more room for important, culturally defining details, which are enhanced by facial expression, hairstyle, jewelry or scarifications. In a group of figures, the largest are usually the most important. <\/span><\/p>\n

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Gestures and expressions<\/em><\/p>\n

The posture or facial expression of a sculpted figure is often indicative of its meaning and importance. Hands resting on the stomach may indicate the ability to produce children. Downcast eyes can express dignity and confidence and introspection, and attention to a world that is outside one's own world, while flaming eyes and an open mouth can radiate strength, aggression or a call to action.<\/span><\/p>\n

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Materials<\/em><\/p>\n

Ivory, gold, silver, copper alloys (such as brass and bronze), coral, amber and glass beads are internationally recognized commodities. Their presence suggests wealth and they appear regularly on royal and power symbolizing objects. Materials such as iron ore and clay, which can be transformed by melting and heating, are used in a sacred and ritual context in addition to practical and domestic purposes, thereby doing justice to the character change of these materials.<\/span><\/p>\n

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Surface<\/em><\/p>\n

The surface of an art object may have become slippery due to frequent touches or roughness due to traces of tools, paint or other added materials. A sticky-looking object may have been covered by offering sacrifices in a sacred place, the surface indicating ritual use. Objects densely covered with horn, porcupine spines, mud, and other materials can represent wilderness forces. In contrast, a figure with a serene appearance with a shiny surface can represent someone who is elegant, civilized and developed.<\/span><\/p>\n

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Color and pattern<\/em><\/p>\n

Colors often represent important messages, but never assume that a particular color means the same to every nation. Patterns, which can also be different for each people, offer insight into the individual way of life and the specific, culturally determined aesthetics. <\/span><\/p>\n

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Form and meaning<\/em><\/p>\n

Due to their size and composition, art objects provide information related to religion, politics, everyday life, gender, fashion and a host of other topics. Sometimes these messages are portrayed or told through paintings, photographs and sculptures.<\/span><\/p>\n

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Spatial relationships<\/em><\/p>\n

How does a work of art relate to its environment. Was it intended as an independent object or was it part of something else, for example as part of a palace or shrine. Carved wooden windows and doorways are very beautiful in their own right, but just imagine how they once interacted with larger structures or with people using them. Also think about how an artist used two-dimensional compositions such as a painting to represent a three-dimensional shape.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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MAINTENANCE<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Never wax tribal art objects. They must keep their own patina.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Whether you are an experienced collector or if you have recently bought your first object, it is important for everyone to know how best to take care of artifacts so that they are well preserved for the future. There are many options for extending the life of art. These include the usual maintenance work and careful consideration of the placement of the objects. Below some advice on how best to maintain art.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Never store art in damp areas.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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It may be obvious, but many people do not realize how dangerous moisture is for works of art and especially for painted and painted objects. Moisture is absorbed by art, allowing the paint to run through and affect the whole. Repeated exposure to moisture can also cause mold over time and this effect is irreversible. The most common damp areas in the house are bathrooms and kitchens. The best place to place art is in well-ventilated areas with plenty of fresh air. Alternatively, a dehumidifier can be used to minimize the effects of any water vapor.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Do not use furniture wax on wooden art objects<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Never use furniture wax when polishing wooden art objects. Most art has a delicate patina or coating that gives it a certain appearance, the effect of the wax can destroy this. If the wood does not have a protective layer, one must be even more careful, untreated wood absorbs wax or liquid very quickly, giving the object a completely different look. The best way to clean wooden objects is to dust it regularly, two or three times a week. This ensures that no layer of dust or dirt will settle, preventing bigger problems in the future. Liquids or cleaning agents should never come into contact with wood. If you ever have an old wooden object that you think needs to be cleaned to regain its original look, it is best to consult an expert.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Always keep wooden objects out of direct sunlight<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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One of the most harmful things to which art can be exposed is direct sunlight or long-term lighting by means of lamps and spotlights. Over time, the (sun) light will cause the object to fade and crack, things that are irreversible. Ultraviolet light is the most damaging to paintwork and causes the color to fade very quickly and also affects the strength of the pigment itself. The best way to avoid the harmful effects of light is to monitor and control the light levels in the room. One of the easiest ways to do this is to install * blinds. This does not have to be ugly at all and, moreover, you can choose to close it completely or partially, depending on the time and the light level outside.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Be careful when storing artifacts<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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If you should decide to store artifacts, think carefully about the course of events. Never store your art in a basement, basement or attic, as these areas can often be very humid and subject to large temperature changes. Outdoor storage areas such as sheds and the like are also completely wrong, not only because of the humidity but also because of the possible threat of pests.<\/span><\/p>\n

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It is best to store items in your own home in an unused room or closet. Wrap the objects in a soft smooth blanket and always put everything upright. If multiple items are to be stored, pack them separately using acid-free paper or cardboard.<\/span><\/p>\n

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By following this advice you are helping to ensure that your art objects remain in good condition for many years. Should the need arise and you move your objects, adjust your cleaning activities, and install sunscreens, your art objects will remain in optimal condition for generations to come.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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AUTHENTICITY<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Sculptor, Luba, Congo <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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1 - Objects that have been made by a people for use within their own society and are also used there.<\/span><\/p>\n

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2 - Objects that are not only made by a people for use within their own society, but also for use by other peoples.<\/span><\/p>\n

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3 - Objects that are traditionally made by society by order of other nations.<\/span><\/p>\n

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4 - Objects made in the traditional way by society for sale to tourists<\/span><\/p>\n

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5 - Objects made by a people as imitation of important authentic objects and in a traditional way for the tourists.<\/span><\/p>\n

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6 - Objects made in different places based on important original objects with the intention of selling them as authentic. <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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THE MOST COMMON NATIONS<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The most common nations are located in Africa, Southeast Asia and Oceania <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Africa<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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Sub-Saharan Africa consists of North Africa, West Africa, Southern Africa, Central Africa and East Africa. North Africa with Sudan. West Africa with Benin, Burkina Faso, Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone and Togo. Southern Africa with Botswana, Lesotho, Namibia, Swaziland and South Africa. Central Africa with Angola, Central African Republic, Congo-Brazzaville, Democratic Republic of Congo, Equatorial Guinea, Gabon, Cameroon and Chad, East Africa with Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Madagascar, Malawi, Mozambique, Uganda , Rwanda, Somalia, Tanzania, Zambia, Zimbabwe and South Sudan.<\/span><\/p>\n

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See: Africa political map 627 = www.kaartenenatlassen.nl<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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South East Asia<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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Southeast Asia consists of mainland Indochina with Vietnam, Laos and Cambodia, Thailand, Taiwan, and Burma (Myanmar), the Malay Peninsula and the islands of the Sunda Islands and the Philippines. The islands of the Greater Sunda Islands are: Borneo, Java, Celebes (Sulawesi) and Sumatra and of the Lesser Sunda Islands are: Adonara, Alor, Bali, Barat Daya Islands, Flores, Komodo, Lombok, Roti, Savoe, Solor , Sumba, Sumbawa and Tanimbar Islands.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Oceania<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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Oceania consists of American Samoa, Australia including Tasmania, Cook Islands, Fiji, French Polynesia consisting of Bora Bora, Moorea and Tahiti, Guam, Hawaii, Kiribati, Marshall Islands, Micronesia, Moluccas, Nauru, New Caledonia, New Zealand, Niue, Northern Mariana Islands, Norfolk, East Timor, Palau, Papua New Guinea, Pitcairn Islands, Solomon Islands, Samoa, Tokelau Islands, Tonga, Tuvalu, Vanuatu, Wallis and Futuna.<\/span><\/p>\n

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Zie: Kaart van Oceani\u00eb staatkundig 1284 = www.kaartenatlassen.nl<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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People \/ Cultures <\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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Abron - Ivory Coast<\/span><\/p>\n

Afar \u2013 Ethiopi\u00eb en Eritrea<\/span><\/p>\n

Akan \u2013 Ivoorkust en Ghana<\/span><\/p>\n

Akye \u2013 Ivoorkust<\/span><\/p>\n

Ambete \/ Mbete \u2013 Democratische Republiek Congo en Gabon<\/span><\/p>\n

Anyi \u2013 Ivoorkust en Ghana<\/span><\/p>\n

Ashanti \u2013 Ghana<\/span><\/p>\n

Attie \u2013 Ivoorkust<\/span><\/p>\n

Azande \/ Zande \u2013 Democratische Republiek Congo, Soedan en Centraal Afrikaanse Republiek<\/span><\/p>\n

Baga \u2013 Guinee<\/span><\/p>\n

Bamana \/ Bambara \u2013 Mali, Guinee, Burkina Faso en Senegal<\/span><\/p>\n

Bambara \/ Bamana \u2013 Mali, Guinee, Burkina Faso en Senegal<\/span><\/p>\n

Bamileke \u2013 Kameroen<\/span><\/p>\n

Bamum \u2013 Kameroen<\/span><\/p>\n

Bangwa \u2013 Kameroen \/<\/span><\/p>\n

Bassa \u2013 Kameroen en Liberia<\/span><\/p>\n

Baule \/ Baoul\u00e9 \u2013 Ivoorkust<\/span><\/p>\n

Beembe \/ Bembe \u2013 Democratische Republiek Congo en Tanzania<\/span><\/p>\n

Bembe \/ Beembe \u2013 Democratische Republiek Congo en Tanzania<\/span><\/p>\n

Benin \u2013 Benin<\/span><\/p>\n

B\u00e9t\u00e9 \u2013 Ivoorkust<\/span><\/p>\n

Bidyogo \/ Bijago \u2013 Guinee<\/span><\/p>\n

Bijago \/ Bidyogo \u2013 Guinee<\/span><\/p>\n

Binji \u2013 Democratische Republiek Congo<\/span><\/p>\n

Biombo \u2013 Democratische Republiek Congo<\/span><\/p>\n

Boa \/ Bua \/Bwa \u2013 Democratische Republiek Congo<\/span><\/p>\n

Bobo \u2013 Burkina Faso \/ Burkina Faso<\/span><\/p>\n

Bua \/ Bwa \/ Boa \u2013 Democratische Republiek Congo<\/span><\/p>\n

Bushongo \/ Kuba- Democratische Republiek Congo<\/span><\/p>\n

Bwa \/ Bua \/ Boa \u2013 Democratische Republiek Congo<\/span><\/p>\n

Chamba \u2013 Nigeria en Kameroen<\/span><\/p>\n

Chokwe \/ Tsokwe \u2013 Angola en Democratische Republiek Congo<\/span><\/p>\n

Dan \u2013 Ivoorkust en Liberia<\/span><\/p>\n

Djimini \u2013 Ivoorkust<\/span><\/p>\n

Dogon \u2013 Mali<\/span><\/p>\n

Ejaghem \/ Ekoi \u2013 Kameroen en Nigeria<\/span><\/p>\n

Eket \u2013 Nigeria<\/span><\/p>\n

Ekoi \/ Ejagham \u2013 Kameroen en Nigeria<\/span><\/p>\n

Ewe \u2013 Togo en Ghana<\/span><\/p>\n

Fang \u2013 Gabon, Kameroen en Guinee<\/span><\/p>\n

Fante \u2013 Ghana en Ivoorkust<\/span><\/p>\n

Fon \u2013 Benin en Nigeria<\/span><\/p>\n

Grebo \u2013 Liberia en Ivoorkust<\/span><\/p>\n

Guere \u2013 Liberia<\/span><\/p>\n

Guro \u2013 Ivoorkust<\/span><\/p>\n

Hausa \u2013 Kameroen, Ivoorkust en Nigeria<\/span><\/p>\n

Hemba \u2013 Democratische Republiek Congo<\/span><\/p>\n

Ibibio \u2013 Nigeria<\/span><\/p>\n

Ibo \/ Igbo \u2013 Nigeria<\/span><\/p>\n

Idoma \u2013 Nigeria<\/span><\/p>\n

Igala \u2013 Nigeria<\/span><\/p>\n

Igbo \/ Ibo \u2013 Nigeria<\/span><\/p>\n

Ituri \u2013 Democratische Republiek Congo<\/span><\/p>\n

Jimini \u2013 Ivoorkust<\/span><\/p>\n

Jukun \u2013 Nigeria<\/span><\/p>\n

Kirdi \u2013 Kameroen<\/span><\/p>\n

Kissi \u2013 Guinee, Liberia en Sierra Leone<\/span><\/p>\n

Kongo \u2013 Democratische Republiek Congo<\/span><\/p>\n

Kota \u2013 Gabon<\/span><\/p>\n

Kuba \/ Bushongo- Democratische Republiek Congo<\/span><\/p>\n

Kulango \u2013 Ivoorkust<\/span><\/p>\n

Kusu \u2013 Democratische Republiek Congo<\/span><\/p>\n

Kwele \u2013 Kameroen<\/span><\/p>\n

Kwere \u2013 Tanzania<\/span><\/p>\n

Lega \u2013 Democratische Republiek Congo<\/span><\/p>\n

Ligbi \u2013 Ivoorkust<\/span><\/p>\n

Lobi \u2013 Ivoorkust en Burkina Faso<\/span><\/p>\n

Loma \/ Toma \u2013 Liberia en Guinee<\/span><\/p>\n

Lualwa \u2013 Democratische Republiek Congo<\/span><\/p>\n

Luba \u2013 Democratische Republiek Congo<\/span><\/p>\n

Lulua \u2013 Democratische Republiek Congo<\/span><\/p>\n

Makonde \u2013 Tanzania en Mozambique<\/span><\/p>\n

Mambila \u2013 Kameroen<\/span><\/p>\n

Mangbetu \u2013 Democratische Republiek Congo<\/span><\/p>\n

Mano \u2013 Liberia<\/span><\/p>\n

Mbete \/ Ambete \u2013 Democratische Republiek Congo en Gabon<\/span><\/p>\n

Mbole \u2013 Democratische Republiek Congo<\/span><\/p>\n

Mende \u2013 Sierra Leone<\/span><\/p>\n

Moba \u2013 Togo<\/span><\/p>\n

Montol \u2013 Nigeria<\/span><\/p>\n

Mossi \u2013 Burkina Faso<\/span><\/p>\n

Mumuye \u2013 Nigeria<\/span><\/p>\n

Namchi \/ Namji \u2013 Kameroen<\/span><\/p>\n

Namji \/ Namchi \u2013 Kameroen<\/span><\/p>\n

Ndengese \u2013 Democratische Republiek Congo<\/span><\/p>\n

Ngbandi \u2013 Democratische Republiek Congo en Centraal Afrikaanse Republiek<\/span><\/p>\n

Ngbaka \u2013 Democratische Republiek Congo<\/span><\/p>\n

Nok \u2013 Nigeria<\/span><\/p>\n

Ogoni \u2013 Nigeria<\/span><\/p>\n

Oron \u2013 Nigeria<\/span><\/p>\n

Ovimbundu \u2013 Angola<\/span><\/p>\n

Owo \u2013 Nigeria<\/span><\/p>\n

Pende \u2013 Democratische Republiek Congo<\/span><\/p>\n

Punu \u2013 Gabon<\/span><\/p>\n

Salampasu \u2013 Democratische Republiek Congo en Angola<\/span><\/p>\n

Sapi \u2013 Sierra Leone<\/span><\/p>\n

Senufo \u2013 Ivoorkust<\/span><\/p>\n

Songye \u2013 Democratische Republiek Congo<\/span><\/p>\n

Suku \u2013 Democratische Republiek Congo<\/span><\/p>\n

Sukuma \u2013 Tanzania<\/span><\/p>\n

Tabwa \u2013 Democratische Republiek Congo<\/span><\/p>\n

Teke \u2013 Democratische Republiek Congo<\/span><\/p>\n

Tikar \u2013 Kameroen<\/span><\/p>\n

Tiv \u2013 Kameroen<\/span><\/p>\n

Toma \/ Loma \u2013 Liberia en Guinee<\/span><\/p>\n

Tsokwe \/ Chokwe \u2013 Angola en Democratische Republiek Congo<\/span><\/p>\n

Urhubo \u2013 Nigeria<\/span><\/p>\n

Vuvi \u2013 Gabon<\/span><\/p>\n

W\u00e8 \/ Wobe \u2013 Ivoorkust en Liberia<\/span><\/p>\n

Wobe \/ W\u00e8\u2013 Ivoorkust en Liberia<\/span><\/p>\n

Woyo \u2013 Democratische Republiek Congo en Angola<\/span><\/p>\n

Yaka \u2013 Democratische Republiek Congo<\/span><\/p>\n

Yombe \u2013 Democratische Republiek Congo<\/span><\/p>\n

Yoruba \u2013 Ivoorkust en Nigeria<\/span><\/p>\n

Zande \/ Azande \u2013 Democratische Republiek Congo, Soedan en Centraal Afrikaanse Republiek<\/span><\/p>\n

Zaramo \u2013 Tanzania<\/span><\/p>\n

Zoeloe \u2013 Zuid-Afrika<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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People \/ Cultures<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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Batak \u2013 Sumatra<\/span><\/p>\n

Bontoc, \u2013 Luzon (Filipijnen)<\/span><\/p>\n

Budai Paiwan \u2013 Taiwan<\/span><\/p>\n

Bugi \u2013 Celebes (Sulawesi)<\/span><\/p>\n

Dajak \/Dayak \u2013 Kalimantan (Borneo)<\/span><\/p>\n

Ibaloi \u2013 Luzon (Filipijnen)<\/span><\/p>\n

Iban \u2013 Borneo<\/span><\/p>\n

Ifugao \u2013 Luzon (Filipijnen)<\/span><\/p>\n

Igorot (Bontoc, Ibaloi, Ifugao en Kalinga) \u2013 Luzon (Filipijnen)<\/span><\/p>\n

Jarai \/ J\u00f6rai \u2013 Vietnam<\/span><\/p>\n

J\u00f6rai \/ Jarai\u2013 Vietnam<\/span><\/p>\n

Kalinga \u2013 Luzon (Filipijnen)<\/span><\/p>\n

Karen (Padaung) \u2013 Thailand, Myanmar en Laos<\/span><\/p>\n

Karo-Batak \u2013 Sumatra<\/span><\/p>\n

Maluku \u2013 Molukken, Leti, Lakor, Babar, Tanimbar, Ka\u00ef en Aru (Zuid-Molukken)<\/span><\/p>\n

Mamasa Toraja \u2013 Celebes (Sulawesi)<\/span><\/p>\n

Mo\u00ef \u2013 Vietnam<\/span><\/p>\n

Naga \u2013 Assam<\/span><\/p>\n

Nage \u2013 Flores<\/span><\/p>\n

Ngada \u2013 Flores<\/span><\/p>\n

Nias \u2013 Nias, Mentawa\u00ef en Enggano<\/span><\/p>\n

Nusa-Tenggara \u2013 Kleine Soenda eilanden<\/span><\/p>\n

Sa\u2019dan Toraja \u2013 Celebes (Sulawesi)<\/span><\/p>\n

Shan \u2013 Birma (Myanmar)<\/span><\/p>\n

Toalans \u2013 Sulawesi<\/span><\/p>\n

Toba-Batak \u2013 Sumatra<\/span><\/p>\n

Toradja \/ Toraja \u2013 Celebes (Zuid-Sulawesi)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
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<\/div>\n<\/div>\n
\n
\n
\n
<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
People \/ Cultures<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

Aboriginals \u2013 Australi\u00eb<\/span><\/p>\n

Antoni \u2013 Timor<\/span><\/p>\n

Asmat gebied \/Asmat area \u2013 Nieuw Guinea<\/span><\/p>\n

Geelvinckbaai gebied \/ Geelvinckbaai area \u2013 Nieuw Guinea<\/span><\/p>\n

Humboldtbaai gebied \/ Humboldtbaai area \u2013 Nieuw Guinea<\/span><\/p>\n

Huon gebied \/ Huon area \u2013 Nieuw Guinea<\/span><\/p>\n

Lake Sentani gebied \/ Lake Sentani area \u2013 Nieuw Guinea<\/span><\/p>\n

Maori\u2019s \u2013 Nieuw-Zeeland<\/span><\/p>\n

Massim gebied \/ Massim area \u2013 Nieuw Guinea<\/span><\/p>\n

Ramu gebied \/ Ramu area \u2013 Nieuw Guinea<\/span><\/p>\n

Sepik gebied \/ Sepik area \u2013 Nieuw-Guinea<\/span><\/p>\n

Tami gebied \/ Tami area \u2013 Nieuw Guinea<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

HOE TE KIJKEN NAAR TRIBALE KUNST De beeldende kunst van Afrika, Zuid-Oost Azi\u00eb en Oceani\u00eb kan, vanwege z\u2019n vaak krachtige uitstraling en de vakkundigheid waarmee het gemaakt is, vrij makkelijk worden beoordeeld. De boodschap die ligt opgesloten in het gebruik van materiaal, vorm en stijl leidt naar een esthetisch geheel dat kenmerkend is voor de volkeren in de genoemde gebieden en als zodanig het belang van deze kunstobjecten openbaart\/onthult. Om tot een beter inzicht te komen van hetgeen deze gebieden aan fascinerende kunst hebben voortgebracht is het verstandig om met het onderstaande rekening te houden. Vernieuwing en ervaring De kunstenaars\u2026<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"page_title_panel":"","has_hero_section":"disabled","753bfe3db32116e260c11483ef164e65":"","hero_section":"type-1","hero_elements":[{"id":"custom_title","enabled":true,"heading_tag":"h1","title":"Home"},{"id":"custom_description","enabled":true,"description_visibility":{"desktop":true,"tablet":true,"mobile":false}},{"id":"custom_meta","enabled":false,"meta_elements":[{"id":"author","enabled":true,"label":"By","has_author_avatar":"yes","avatar_size":25},{"id":"post_date","enabled":true,"label":"On","date_format_source":"default","date_format":"M j, 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